My Farewell to Paddington Arts By: Lauren Avila

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“Consider yourself at home

Consider yourself one of the family

We’ve taken to you so strong

It’s clear we’re going to get along…”

 

I’ve heard this song from the musical, “Oliver,” playing a few times here at Paddington Arts. It feels like an applicable theme song to sum up the wonderful adventure I’ve had in London as part of the Paddington Arts team. As my time with Paddington Arts comes to an end, I have found myself reflecting on what I have gained through this experience. I feel very fortunate to have been surrounded by warm and welcoming people from the very first moment I arrived. Everyday has been a learning opportunity. I learned about this wonderful organization that has been alive for more than four decades through all the pieces and people that are part of its foundation. I also learned by being immersed in the environment. There is joy that exudes from each person who walks about the building. They truly want to be here! They want to be part of the community in a meaningful way. I feel very lucky to have experienced this type of positive and passionate energy that is not often found in workplaces. I’ve learned directly from the people here, not only about their lives but about how to act. The entire team here has always been friendly and helpful to me but also to everyone else! Each interaction I have witnessed has shown me the character of each individual. I have cherished getting to know them through their professional qualities and through their personalities too. 

 

I have learned so much from the experiences I’ve had pursuing stories for the Blog. Every single blog I created has dozens of memories attached to them. The hours that I have spent learning about these topics, having first-hand experience with them, and sharing them with the Paddington Arts audience have truly been a privilege. As you may notice in the stories I created, I followed a theme involving art in its many forms. I believe there can never be enough appreciation for all the arts and I highly encourage you to participate where you can. Since I have joined the team, I find myself paying more attention than I ever have before to the artists and their work throughout London. 

 

I will miss being part of the team. During my time here I have become attached to the building, the neighborhood, and all the people who are part of it. I’ll also miss the sound of dancing feet, the voices that carry through the halls, and the bits of music that brighten the day, whether that’s the upbeat tunes accompanying the lessons or the singing that vocalizes from the heart of staff members going about their day.

 

During my time at Paddington Arts I have been a temporary resident in London and I have fallen in love with this city! I will always value the opportunities I’ve had to go out and explore different pockets of this magical place. I have never been to a location that had so much to offer in ways of food, entertainment, and general tourism. I have not had a bored moment since I have arrived and I doubt very much I would, even if I was here for a year. I must also note that the people really say so much about a place. I tend to be a rather inquisitive person and will start a conversation with anyone. As I have gone out and explored, be it for a story or not, I have found that the people here on the whole are very friendly, interesting, and good-spirited. Getting to know the locals has been one of my favorite parts of being here. 

 

To everyone who has joined me on this journey, including readers, participants, and most importantly the team here at Paddington Arts, I would like to thank you very much for our time together and all the memories I will carry with me for years to come.



Where to Find Undiscovered Talent in London By: Lauren Avila

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If you visit any tourist spot in London, or perhaps a busy tube station, you are sure to spot a busker putting their best foot forward. They want to be noticed, they want to share their talent, and they want you to help them do that. In any profession, it takes hard work, commitment, and confidence to know that you have what it takes to be successful. Busking is no different. 

 

Creative artists throughout London are making their dreams a reality simply by having the courage to show their talent. In the halls of the London Bridge tube station there is a one man band performing Caribbean music, a poet in Trafalgar Square sharing sonnets created on the spot, a magician in Leicester Square striving to amuse the public, an accordion player outside Warren Street tube station, and an acrobat in Covent Garden putting every ounce of physical effort into their performance. The list can go on and on with artists of all kinds, including the painter, the violinist, and the singer doing the same thing. They are pursuing their dream one stage at a time, regardless of where that stage is and who is watching. 

 

Of course, it isn’t always easy. 

 

There is still a big hurdle to have to overcome in order to get to the next step. It is important to not lose focus. There is a phrase that originated here in England, yet it is plastered on merchandise across the world: “Keep Calm & Carry On.” It is true that one must carry on despite hardships and challenges. Sometimes perseverance and commitment speaks even more than talent alone. 

 

Gathering all the courage one has and putting themself in the center of the public’s attention for the sake of a dream is not limited to the streets either.

 

At the Top Secret Comedy Club on Drury Lane, you can find comics who test their new material on an audience. I can hardly imagine many more terrifying tests to put yourself through. I recently saw two comics, Katie Green and Evaldas Karosas, doing this very experiment and were vulnerable enough to take feedback in real time. As it turns out, their reactions to our reactions were just as entertaining as their material. 

 

Suffice to say, it was an opportunity for growth which we can all use yet some are more afraid than others to put into practice. Bravo to those complete professionals who do!

Another example includes Zemphy, an Irish singer and guitarist, who used to busk on the streets of London. She now has a residency at Amazing Grace London where she puts on a show of 90’s & 00’s hits. 

 

There are artists who recently introduced their work and also sold their art during the Print Fair at Somerset House for a few days. They are making their dreams a reality while facing the public right in front of them. 

 

It goes without saying that success is subjective. I believe that success happens when a person goes from dreamer to doer, even if they never become a household name.

 

There are plenty of success stories in the London arts scene if you look for it. Go out and explore. It will not take long to find someone who could be the next Vincent Van Gogh or the next Ed Sheeran. 

 

Star Power in Theatre By: Lauren Avila

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Imagine the inside of a theatre. The room is hushed, the lights dim, and a show is about to begin. It is staged in the round, with little to no props and sets. The story is a profound and intriguing tale of a man who has lost the perfectly comfortable life he once knew for one that is uncertain and unsettling. The performers are playing to a sold out audience and bring their best efforts to the stage. This very scene can be experienced at the Bridge Theatre, where Jonathan Bailey of Bridgerton and Wicked fame is currently starring in Richard II to a packed house of 900. The average price of a ticket is £69.50. The premium ticket is well over a hundred pounds and the cheapest comes at low financial price of £29.50 but a much higher cost of view. However, would it surprise you that this same scene could have been found at the Finborough Theatre earlier in March while “The Passengers” played to approximately 50 people for £20. The difference? Perhaps the influence of star power. 

It is hardly a new idea to have a headliner bring in a crowd to entertainment. The concept has been around since the beginning of show business. Does it work?… Should it?

Perhaps. 

Whether a live show, a new film, or series television, there is always the possibility that the content is rubbish regardless of the celebrity status. People will still watch it to catch their favorite star. The tradition carries on with an influx of celebrity actors on stage. On Broadway in New York City, Denzel Washington, Jake Gyllenhaal, George Clooney, Kieran Culkin, Joey Fatone and Joe Jonas are entertaining crowds of fans. 

Here in London, a person can buy a ticket to see Jonathan Bailey, Ewan McGregor, Tom Hiddleston, Hailey Atwell, Brie Larson, John Lithgow, Cate Blanchet, Martin Freeman, Brian Cox, Rosamund Pike, Sean Hayes, and Rami Malek for current and upcoming shows. Ticket prices vary from moderate to reflective of celebrity status. But is it worth it?

Having seen both shows that were previously mentioned, I can’t help but wonder: is star power what sells a show?

Fortunately, “The Passenger” was a sold out show for its entire run in February and March. With an inescapably intimate theater, every seat is a premium seat, incapable of missing a performer’s blink. It’s wonderful to think that over the course of its run almost 2000 people got to experience this show, which was one of the very best productions I’ve seen in the many, many years I’ve been attending the theatre. “The Passenger” is about a Jewish German citizen who tries to hide from Nazis by riding trains across Germany. Personally, the show had me on the edge of my seat for the entirety of the 90 minute show, without an interval. It was made up of a cast of only five actors, led by the talented Robert Neumark Jones as Otto Silbermann. He is extraordinary and I can’t wait to see where his career goes next. 

“Richard II” is a classic play from William Shakespeare about the rise and fall of the King of England. The show’s run time is 2 hrs and 40 mins, including the 20 min interval. The interval provides a needed break from the marathon of words that are lavishing delivered off the tongues of capable actors but still relentlessly presented scene after scene. Nevertheless, I was quite moved by the monologues that exuded visceral emotion, particularly from lead actor, Jonathan Bailey. 

During the break at “Richard II,” I had a conversation with the patron seated beside me. It turns out that this play was the first time she had seen Jonathan Bailey in anything. What luck that I should find a person who came merely to watch a Shakespearean play. 

I asked what her thoughts were about the play so far. She felt that the actor playing Henry Bolingbroke was giving a stronger performance than the actor playing King Richard but noting Bailey’s credits she supposed that “he’s the big draw.”

So is it the celebrity that brings a patron to the stalls? Perhaps it’s the material. Perhaps it truly is both. If that is the case, can a great show stand on its own even without a big name? Must it work harder to garner an audience and win them over? 

On the other hand, is merely having a celebrity enough? Are they worth their weight in gold? 

I reached out to Time Out’s resident theatre critic, Andrzej Lukowski, to get his opinion on the matter. 

“I’d say celebrities are more likely to take on big demanding roles that (theoretically) show off what a good actor they are,” Lukowski said. “They don’t turn up, collect the paycheque and play a minor supporting part and let some unknown classic actors do the lion’s share.”

In other words, one can rely on the idea that if a celebrity joins a show, they are going to put on a performance of high caliber. Everyone on the cast and crew will certainly put their best foot forward too. If you plan to see a famous actor, you can feel confident that the production will likely be as premium as the price. Go ahead and nab that hot ticket (if you can). But remember that great things can be found in small packages. I strongly recommend venturing out to small venues and fringe theatre companies to find hidden gems!



Art Therapy- I tried it and you should too! By: Lauren Avila

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Art therapy can come in many forms through hands-on experience and engaging creativity, be that through performance or fine arts. There are individual and group sessions of art therapy widely available throughout London. It is a practice that is led by a trained professional with the intention to offer a safe environment to get in touch with feelings that may otherwise remain guarded. There is evidence to support that engaging in art therapy helps individuals to speak more freely and become more relaxed when facing an issue. 

Each individual is different and each person’s needs vary. Some people may need the guidance and healing that comes from a trained art therapist. However, that does not discount that art, in its many forms, is therapeutic on its own. 

The British Association of Art Therapists state on their website that “art therapy can help people of all ages and at all stages of life, including those whose life has been affected by difficult personal or cultural experiences, illness and/or disability. You do not need to be skilled in art to benefit from art therapy.”

That was the case when I put this theory to the test. I observed and participated in different types of art with groups of normal people from different backgrounds. 

 

First I went to Wonderland Ceramics to test if fine art really can help people with their mental health. The task? Choose a ceramic item and paint it in any way one wishes to. It turns out that art as therapy really is dependent from person to person. In a group of seven, a couple attendees felt stressed by this task. They found it difficult to choose an item, then choose how to decorate it, and also to efficiently do so. 

“I feel stressed because I’m a perfectionist, but I also feel relaxed because I know I can take my time,” Leyonce explained when asked how creating art made her feel.

Others found these steps less intimidating.

“I love this,” Skye said. “I’m so glad I decided to do this.”

Despite the rocky start, over the course of time the challenge became easier and the room’s temperament changed. People felt more at ease and the conversation in this group became more comfortable by each passing minute. As mentioned earlier, evidence supports that art can encourage a person to open up and share deeper thoughts and feelings.

“I was feeling stressed but I’m feeling a lot more relaxed now,” Gilly shared.

I challenged the theory again when attending a performing art event. The task? Have beginner and intermediate dancers try to teach and learn from each other. As an overall observation, this much larger group of about twenty attendees followed a similar pattern. About half the room was filled with timid beginners but by the end of the event there was a buoyancy in the room. Everyone’s spirits were lifted and the whole group bonded in conversation long after the event concluded. 

Speaking from personal experience from both activities, I felt relaxed, jubilant, care-free, and fulfilled while participating and immediately following each event. I can also say the same from other art forms such as writing stories and taking pictures. Again, this is different for each person but I believe it is safe to say that art as therapy is worth looking into. 

To find out more about the evidence behind art therapy, how it works, what types of therapy there are, and where to start looking for an art therapist, visit Mind. If you are local, consider looking up the classes and events that are offered here at Paddington Arts. 



Van Gogh: The Immersive Experience By: Lauren Avila

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Likely if a person mentions the name of the famous Dutch artist, Vincent Van Gogh, it immediately prompts images of deep hues of swirling skies or bright yellow flowers resting in a vase. Van Gogh: The Immersive Experience, which has been open since 2021, is elevating old classics and converting them into  new forms for anyone to enjoy. 

Upon entering the exhibit and throughout the layout of rooms there is an abundance of information about Van Gogh. As much as it is a welcome change to approach well-known art in a new way, it is vital to first understand the artist. The exhibit includes various ways to get to meet Vincent, the man. There is a comprehensive history provided pertaining to his birth, family, physical and mental challenges, and the end of his life. Of high interest to those who may not know about Van Gogh’s style, this information also includes the reason why he created art the way he did. 

Beyond learning about the art is the art itself in various forms. The exhibit introduces large scale versions of some of Van Gogh’s most notable works. What was previously only known to the world through oil paintings is brought to life by set pieces, backdrops, and computer animations. 

Additionally, visitors are given the opportunity to be hands-on and fully immersed as the name of the exhibit implies. There is an entire room full of art from past visitors who paid homage to Van Gogh’s most well known paintings, such as “Starry Night,” “Self Portrait,” and the “Sunflowers” series by creating their own version of it. The Immersive Experience also offers a VR experience (that comes at additional cost) to see the paintings up close in a digitally-advanced environment.

“I really liked that the whole point of the immersive experience is to see his life from his point of view,” Van Gogh the Immersive Experience visitor, Udeshna, observed. “I like that the asylum and The Bedroom paintings were immersive and that it gave a brief of his life.”

Throughout the exhibit there are ways to observe the man, the paintings, and also a way to engage with them. Still, it is the conclusion that truly brings the visitor into the art. Visitors step into a room that is covered in screens from floor to ceiling and creates a 360 degree world of art. It is flooded with lights, music, and moving projections. Chairs, benches, and loungers provide a welcoming environment to relax and submerge completely into the art that was only looked upon moments before but now surround the visitor in an all-consuming way. After learning about Vincent and his trade, it is more emotional to feel a real and deep connection to his art, including quotes from him. 

One may experience a new sense of appreciation of a man’s life work when surrounded by his art and reading his own words: “Success is sometimes the outcome of a whole string of failures.”

Van Gogh: The Immersive Experience is self-guided so a person may enjoy it at their own pace. The exhibit provides several rooms of information, art, and photo opportunities, therefore it is easy to let hours slip by, particularly in the final room. It can be enjoyed for a few minutes or much longer, with footage looping every ten minutes or so. 

Tickets for the exhibit begin at £20.90. It is currently an ongoing experience.

Instagram-Worthy Spots near Paddington Arts By: Lauren Avila

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The Notting Hill Carnival, which is the largest street festival in Europe, will take place in August. With it, plenty of visitors from around the world will flood the area from near our location at Paddington Arts through Notting Hill. The festival is a boisterous event filled with music and local talent. However, throughout the area there is plenty to see. Whether you are coming for the festival or just visiting London, here are some wonderful places to visit to capture the pleasant aesthetics and adorable locals that will impress your social media followers.

Beginning with nearby Paddington Station, a railway and tube station. For Paddington Bear lovers, this is the very location where the fictional character first arrives in London. As such, there are a few tributes that you can take pictures of (and with), including a few statues, a bench, and a store. Paddington Bear can also be found in several other locations throughout London, including other statues and a mural. There are also locations nearby that were used for the  Paddington films such as Alice’s shop that stands in for Gruber’s Antiques. 

While on the subject of movies that we love, there is also nearby Notting Hill. There are photo spots for the Blue Door and The Travel Bookshop from the movie. Additionally, there are the Colorful Houses of Notting Hill that will sure to be your new favorite profile picture. They sit just off of Portobello Road which hosts a huge market that provides many photo opportunities. Though be sure to avoid taking pictures of merchandise. Vendor hosts often prefer that you do not photograph their supply. Still, with wall art throughout the market, the hustle and bustle of the people, and the general atmosphere, it’s a photographer’s paradise. 

Looking for some place calmer than a train station or a market? Look no further than Paddington Recreation Ground. It is a 27 acre park space that has a gym, running track, pitches for multiple sports, tennis courts, and a cafe. Located inside the park is a playground featuring miniature houses that are meant to replicate colorful houses in the area. This serves as a perfect cheat to capture the look within a scale that is easy to frame. 

Take a walk down to Little Venice which as the name implies has a similar ambience to Venice, Italy with its canal and little boats (as seen above). This area is a junction between Grand Union Canal and Regents Canal, with a nearby bridge close to Paddington Arts. It is a beautiful hidden gem that is a moving postcard to behold. Fun Fact: this area was also used for a scene in Paddington 2. 

Finally, there’s Paddington Arts itself. It is a beautiful building easily accessible by tube or bus, and offers opportunities for the community to engage in art forms. It is a colorful, three-level building that offers a welcoming environment. It is also a stone’s throw away from the real Windsor Gardens (not seen in the films) that Paddington Bear lives at with the Brown Family. 

Be sure to come visit the Paddington and Notting Hill area soon!

 

Discovering Ireland in the Heart of London By: Lauren Avila

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On Sunday, 16th March, London’s Trafalgar Square was host for the St. Patrick’s Day Festival & Parade, celebrating Irish culture with thousands of locals and tourists. It was a feast for the senses with the colors, music, food, drink, and Irish lore everywhere. The event kicked off with a parade from Hyde Park, along Piccadilly Circus, Trafalgar Square and concluded at Whitehall. Attendees came out in droves and in high spirits, adopting the Irish culture, even if only for the day, regardless of their origin. There was a sense of joy and pride illuminating the streets as everyone cheered alongside the parade.. The cavalcade, shining in hues of green and gold, included floats, musicians, singers, dancers, runners, costumed performers, and representatives of charities. Each group celebrated and recognized contributions of the Irish community, whether locally or internationally. Along the route, parade viewers could spot the Council of Irish County Association of London, a children’s Irish marching band, the Irish London Running Club, ASM Recycling and SISK Contractors, a company established in Cork, Ireland. 

In the midst of the Square was an abundance of Irish arts and culture. At the main stage was an ongoing presentation of Irish talent, from traditional Irish dance to a ceilidh band to singers. Surrounding the stage was a culmination of more Irish cultural immersion. Vendors for merchandise, food, Ireland tourism, and local Irish groups in London. There was also a beautiful art exhibit, called “Peace Heroines,” which recognized some of Ireland’s most accomplished female contemporaries working towards peace, including Bronagh Hinds, Susan McRory, Pat Hume, Eileen Weir, Saidie Patterson, Anne Carr, Monice McWilliams, Pearl Sagar, and Baroness May Blood. 

Behind the food stalls were some of the best booths, including a booth to learn the dances, try some Irish crafts, and be introduced to Irish creators and their work. This last booth mentioned was presented by the Irish Creative Collective, an organization which showcases Irish talent from musicians to comedians to filmmakers. In this booth, there was an entire schedule of events for Irish creative arts to be shared with the public. These events were intended to educate, entertain, and inform about Ireland and their heritage. Among the creatives was a storyteller who also presented an introduction to the Irish language with words and phrases, such as “my name is…” 

There was also a screening of three short films made by Irish filmmakers. They were called “Boogaloo and Graham,” “Color Me Pink,” and “Dear Imelda.” Each film was made in Ireland and not only had a touching story, but wonderful visuals to enjoy. Fortunately they are all available to watch online. Catch “Boogaloo and Graham” on Disney+, “Color Me Pink” on YouTube, and “Dear Imelda” on the Samansa app. 

From every corner of the arts and culture world, it was thrilling to see that the arts are alive and well in Ireland! How wonderful that Irish natives came to share their talents and introduce their culture in a beautiful and warm way. 

“Alterations” at the National Theatre By: Lauren Avila

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Every choice just like any alteration in a person’s life can change it. To cut and hem time may cause a person to lose those which they love. Sew together the bonds that matter and a person can create a high quality product. Deciding which pattern to follow is the choice one must make, particularly when it comes down to an ultimatum. This is the emotional scale that is explored in the National Theatre’s current production of “Alterations.”

Soft, Caribbean melodies play in the background as patrons take their seats well before showtime. The sounds of traffic and bustling city life accompany it to create the atmosphere of the forthcoming story. Sirens whirring, cars honking, engines revving, and squealing wheels put the play in motion before it’s even begun.

The set, designed by Frankie Bradshaw, is singular, sitting upon a rotating platform. It is a tailor shop with a wall of clothing hanging about in the back. A few work tables fill the elevated, square stage. Every table provides a space to cut, sew, and repeat. A plush, burnt orange-colored chair sits in the corner, inviting any tired worker who is in need of the occasional tea break.

A full three minutes before showtime a man appears on stage, dressed in flare jeans, a paisley-patterned top (unbuttoned midway) and vintage brown leather jacket. He’s sporting aviator sunglasses and holding on top of his shoulders a retro radio. A cyclist circles the neighborhood as shoppers and others go about their business. They are not bothered and are simply enjoying their daily life. 

Seamlessly the play begins…

Above the street, in a small tailor shop, Walker (Arinze Kene) is embarking on a timely task that will define his future. He has just accepted a commission for a large amount of trouser alterations. Mr. Nat (Colin Mace), a German immigrant, allows him the opportunity to do the task in a potentially life-changing deal. If Walker can fulfill the order in time, he will receive enough money to buy a tailor shop on Carnaby Street.

“Alterations,” directed for this adaptation by Lynette Linton, unfolds over the course of 24 hours, with each minute rising with intensity. 

While Walker is working in the present he cannot stop thinking of the past and the future. His story is what stitches together the gap between the two. Not only is there a pressure to complete the challenge ahead of him, there is a dream at stake that consumes every part of his life. Still he allows himself to get distracted over and over in vignettes of his life, illuminated by Oliver Fenwick’s design.

Time plays a major role in “Alterations.” There is use of light and music to pass time, to create atmosphere, and to get into Walker’s headspace. Music is well-integrated into this production with help from sound designer, George Dennis, and composer, XANA. From the sounds of reggae or blues, to the bursts of music that shifts the mood of time-lapsing scenes.  

In the shop, Walker relies on Buster (Gershwyn Eustache Junior) and Courtney (Raphel Famotibe). For this task he also employs another friend, Horace (Karl Collins). While all the characters in this production are suitably dressed for the 1970’s era of the play, none are as beautifully, albeit ostentatiously, dressed as Horace. Amongst his array of fashion choices is a purple, perfectly tailored suit by costume designer, Frankie Bradshaw.

Buster is a reliable business partner. He stays on task and avoids drama, regardless of the fact that his wife is in active labor throughout the play. He is waiting, much like Walker, for a new life to start. Courtney is a young local worker. He is ready to work and make his way up in the world. Horace is ambitious but keeps the balance between aspirations and priorities.

Darlene (Cherrelle Skeete) is Walker’s wife. They have come to London from Guyana, pursuing their individual dreams. Darlene is facing challenges of her own, having recently been fired. She needs support, both financially and emotionally, from Walker but he tends to come up short. He struggles to stay present as he chases his dream. As the play progresses, Darlene’s problems motivate the changes and decisions she feels she must make in order to achieve the dream she has formed for herself and her daughter.

Walker maintains distance. The dream is what matters. Friends and family are secondary to him. However, life is full of hard lessons that have to be learned. The play focuses on the price that comes with success. 

Regardless of the profound themes of self-fulfillment and happiness, there is still a laugh to be had. Abbensetts’ play, with additional material from Trish Cooke, provides plenty of levity. The audience that sat in on a preview performance picked up every bit of humor sewn into the performance. 

The production value is simple and avoids being overly flamboyant, neither visually or in sounds. There is just barely enough movement to keep the average audience member’s attention for the nearly two hour running time (without an interval). Unfortunately, one of the most engaging set and costume sequences comes down to only minutes. Additional platforms, costumes, music, and performers come together for a dream sequence that is as fleeting as a  fashion trend. 

Walker continues to want more throughout the play. More love. More business. More space. He wants more and is willing to live with less to have it. It would seem the National Theatre followed a similar pattern. There seemed to be a goal to add more to the retelling yet the creatives collaborated together to present less. If you prefer the less is more route and if you enjoy a straight-forward underdog story, go to see “Alterations” at the National Theatre. The show began previews 20 Feb, opened 27 Feb, and will play through 5 April.

 

Word of Mouth

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Word of Mouth was developed in partnership with Turtle Key Arts, working with students from Hillingdon School, which is an autism-specialist school in West London.

First of all the students worked with the talented poet Cheryl Moskowitz, exploring a range of writing techniques and means of expressing them.

With a portfolio of poems to hand, the students then visited Paddington Arts for a week-long digital media project where they illustrated their written work to create animated films. The students used a range of techniques including hand-drawn illustration and digitising these to then create designs with photoshop.

Some example of the visual poems can be seen here:

Airlock Doors by Hugues:

Hugues from Building Blocks on Vimeo.

Money: By Shakeem from Building Blocks on Vimeo.

Friendship: By Olivia from Building Blocks on Vimeo.

Monsters (By Tyrell) from Building Blocks on Vimeo.

Choose Your Own Adventure

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Choose Your Own Adventure was a filmmaking project where students from PIP came to weekly workshops at Paddington Arts to produce an interactive film.

Students invented comic-book super heroes with special powers and created a story with different endings. They learned a range of skills including:

  • Character building
  • Storyboarding
  • Photography
  • Graphic Design
  • Creating gif animations

Here is the film the students made… we hope you enjoy it! (**IMPORTANT** Please make sure your annotations are turned on to use this video.)